She initially balked at it, but the 1955 film became a box-office and critical success. After early stardom as a band singer and a stint at Warner Bros., Day won the best notices of her career with “Love Me or Leave Me,” the story of songstress Ruth Etting and her gangster husband-manager. Her Hollywood career began after she sang at a Hollywood party in 1947. She returned to Les Brown’s band after the first marriage broke up. Her second marriage also was short-lived. She gave birth to her son, Terry, in early 1942. A bandleader changed her name to Day, after the song “Day after Day,” to fit it on a marquee.Ī marriage at 17 to trombonist Al Jorden ended when, she said, he beat her when she was eight months pregnant. Listening to the radio while recuperating, she began singing along with Ella Fitzgerald, “trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.”ĭay began singing in a Cincinnati radio station, then a local nightclub, then in New York. Friends and supporters lobbied for years to get her an honorary Oscar.īorn to a music teacher and a housewife, she had dreamed of a dance career, but at age 12, she suffered a crippling accident: a car she was in was hit by a train and her leg was badly broken. The same year, she received a lifetime achievement honor from the Los Angeles Film Critics Association. Although mostly retired from show business since the 1980s, she still had enough of a following that a 2011 collection of previously unreleased songs, “My Heart,” hit the top 10 in the United Kingdom. In recent years, she spent much of her time advocating for animal rights. Bush declared it “a good day for America when Doris Marianne von Kappelhoff of Evanston, Ohio decided to become an entertainer.” She never won an Academy Award, but Day was given a Presidential Medal of Freedom in 2004, as George W. “I have the unfortunate reputation of being Miss Goody Two-Shoes, America’s Virgin, and all that, so I’m afraid it’s going to shock some people for me to say this, but I staunchly believe no two people should get married until they have lived together,” she wrote. In “Pillow Talk,” released in 1959 and her first of three films with Rock Hudson, she proudly caught up with what she called “the contemporary in me.” Her 1976 tell-all book, “Doris Day: Her Own Story,” chronicled her money troubles and three failed marriages, contrasting with the happy publicity of her Hollywood career. The running joke, attributed to both Groucho Marx and actor-composer Oscar Levant, was that they had known Day “before she was a virgin.”ĭay herself was no Doris Day, by choice and by hard luck. With her lilting contralto, wholesome blonde beauty and glowing smile, she was a top box office draw and recording artist known for such films as “Pillow Talk” and “That Touch of Mink” and for such songs as “Whatever Will Be, Will Be (Que Sera, Sera)” from the Alfred Hitchcock film “The Man Who Knew Too Much.”īut over time, she became more than a name above the title: Right down to her cheerful, alliterative stage name, she stood for a time of innocence and G-rated love, a parallel world to her contemporary Marilyn Monroe.
American actor Doris Day poses on a red Schwinn bicycle, late 1950s.